Glovision Inc. | Media Localization & Anime Sound Specialists
We are excited to announce that Glovision’s Shinanomachi Studio, celebrating 50 years of excellence, is set to transform into a brand-new facility in February 2025. This upgrade aims to elevate our capabilities in animation sound production and dubbing production to unprecedented levels.
The new studio will be equipped with premium sound technology, featuring custom BWV speakers and the advanced System T console from Solid State Logic. Additionally, it will support leading immersive audio formats, including Dolby Atmos® and DTS:X®, providing versatile sound format options. The spacious layout accommodates 13 people in the control room and up to 20 in the recording booth. We have also introduced the innovative DESICA air conditioning system to ensure a clean and comfortable working environment. A welcoming lobby will be available for cast and staff relaxation, along with a meeting room ideal for discussions and interviews.
We look forward to the new Shinanomachi Studio playing a vital role in producing exceptional audio for a variety of exciting projects and invite everyone to join us as we embark on this new journey.
Dolby, Dolby Atmos, and the double-D symbol are registered trademarks of Dolby Laboratories Licensing Corporation.
101:Linear editing
The linear editing studio with HDCAM and HDCAM SR VTR is now equipped with an XDCAM,whichenables data delivery.
Equipment | Acoustic field | Video | |||
---|---|---|---|---|---|
Switcher | SONY MVS-8000G | VTR | SONY SRW-5500 | 8ch | HD compatible |
Software | SONY BZS-8050 | VTR | SONY HDW-M2000 | (Monitor is 4ch) |
102:Linear editing
The linear editing studio with HDCAM and HDCAM SR VTR is now equipped with an XDCAM,whichenables data delivery.
Equipment | Acoustic field | Video | |||
---|---|---|---|---|---|
Switcher | SONY MVS-8000G | VTR | SONY SRW-5500 | 8ch | HD compatible RGB4:4:4 dual link |
Software | SONY BZS-8050 | VTR | SONY HDW-M2000 | (Monitor is 5.1ch) |
103:Nonlinear editing
A network is built around AVID ISIS-5500. 4K Prunus is used as the main editor, which supports 4K editing.
Equipment | Acoustic field | Video | |||
---|---|---|---|---|---|
Switcher | 4K Prunus | ー | ー | 5.1ch compatible | Linear editing equipment/ HD compatible 4K compatibility |
104:Nonlinear editing
A network is built around AVID ISIS-5500. Media Composer is used as the main editor, which caters to 4K editing.
Equipment | Acoustic field | Video | |||
---|---|---|---|---|---|
Switcher | Avid MC | ー | ー | 2ch | HD compatible 4K compatible (files only) |
105:DCP
Mainly handles 2K video content packages using Clipster, with future upgrades for 4K video content and Dolby Atmos audio content.
Equipment | Acoustic field | Video | |||
---|---|---|---|---|---|
DVS | CLIPSTER | Monitor | SONY BVM-X300 | 5.1ch | 4K/2K compatible DCP playback |
201:Mixing/Narration recording
This room can project images up to 149 inches in CinemaScope size and is capable of mixing audio up to Dolby Atmos Home.
Equipment | Acoustic field | Video | |||
---|---|---|---|---|---|
Mixing console | Avid S6 | Speaker | Procella P815FP | Dolby Atmos (Home) compatible |
HD compatible Projector to be 4K compatible |
Recorder | Avid Protools HDX2 | Projector | SONY VPL-GT100 |
202:Recording/Mixing
The large glass window between the control room and the recording booth facilitates communication between the production team and the actors. The post recording room has low resonance to handle recording with a large number of actors.
Equipment | Acoustic field | Video | |||
---|---|---|---|---|---|
Mixing console | SSL Duality24 | Speaker | Musik RL901K | 5.1ch compatible | HD compatible Projector to be 4K compatible |
Recorder | Avid Protools HDX | Projector | SONY VPL-GT100 |
203:Recording/Mixing
Although the room is compact, it is optimum for recording audio for foreign dramas. Unlike other, more tranquil rooms, this colorful room projects a dynamic image.
Equipment | Acoustic field | Video | |||
---|---|---|---|---|---|
Mixing console | SSL AWS948 | Speaker | Musik RL904 | 5.1ch compatible | HD compatible |
Recorder | Avid Protools HDX | ー | ー |
204:Mixing
Equipment | Acoustic field | Video | |||
---|---|---|---|---|---|
Mixing console | Avid Artist MIX | Speaker | Procella P6 | Dolby Atmos | HD compatible |
Recorder | Avid Protools HDX2 | ー | ー |
301:Mixing
A very unique studio that incorporates a Dolby Atmos Cinema production environment using RMU, a digital cinema projector, and a Dolby Atmos DCP playback environment. The SONY SRX-R515P projector is capable of displaying images up to 186 inches in CinemaScope size.
Equipment | Acoustic field | Video | |||
---|---|---|---|---|---|
Mixing console | Avid S6 | Speaker | Procella P815FP | Dolby Atmos (CINEMA) compatible |
4K compatible (DCP playback) |
Recorder | Avid Protools HDX2 | Projector | SONY SPX-R515P |
302:Recording/Mixing
The large glass window between the control room and the recording booth facilitates communication between the production team and the actors. The post recording room has low resonance to handle recording with a large number of actors.
Equipment | Acoustic field | Video | |||
---|---|---|---|---|---|
Mixing console | SSL Duality24 | Speaker | Musik RL901K | 5.1ch compatible | HD compatible Projector to be 4K compatible |
Recorder | Avid Protools HDX | Projector | SONY VPL-GT100 |
303:Recording/Mixing
Although the room is compact, it is optimum for recording audio for foreign dramas. Unlike other, more tranquil rooms, this colorful room projects a dynamic image.
Equipment | Acoustic field | Video | |||
---|---|---|---|---|---|
Mixing console | SSL AWS948 | Speaker | Musik RL904 | 5.1ch compatible | HD compatible |
Recorder | Avid Protools HDX | ー | ー |